Dogwood Seattle

Doll Cases

2009-02-19T20:00:00.000-08:00

These are some doll cases I made for a local client. They were gifts for her family. She handmade all of the clothes and worked with a local woman who is a traditional doll maker to pose and style the doll's hair. This first case - a gift for my client's daughter - is a geisha and her hand maiden.

The first case is Basswood, Cherry and Maple. I used traditional mortise and tenon joinery with pinned and wedged tenons.

The photos do not give a good representation of how amazing the details on these dolls are.

Each of the cases had a small stand. The doll below is mounted on a piece of Western Big leaf Maple Burl.

Pinned tenon with ebony wedges as ornament and strength.

This was one of the final cases. Cherry and Maple with a Quilted Maple back that I book matched.

I tried to imply some small details of the surroundings of each doll with the burls and back panels, giving the illusion of rocky shoreline, trees and mountains.

I am very honored to have been chosen to make these family heirlooms.

Danish Modern inspired Console Table

2008-04-16T22:49:00.000-07:00

This piece of sapele lumber was almost 24" wide and 20 feet long, and was only about half of the tree's radius. This lumber was plantation grown, but much Sapele lumber is not. I try to honor the tree with a second life that befits its grand previous stature.

The frame and panel bottom is a nice detail I learned from my teacher Ross Day. Once a student of James Krenov, Day is now a studio furniture designer living in Poulsbo,WA. He would always express his displeasure in seeing a beautiful piece, then looking at the back (as most of us woodnuts do) and discovering plywood nailed in the rabbet joint on the back.

This is a detail shot of the open drawers before the lower stretcher was added and prior to finishing. The legs in the square for were very sturdy for the width but once I put a 3/8" radius on the legs it would wobble slightly if the drawers were shut vigorusly. The client felt I was being a bit over critical, but I feel a piece should stand straight and tall in the same fashion that it once grew. I added the lower shelf in the picture below to add stability.

This is the completed piece with drawers slightly ajar. I really like the slender legs and delicate form this table.The lower stretcher adds a bit more presence to piece's form. It also supports a floating shelf which repeats the split top detail. The space between boards allows the wood to move seasonally without stressing the joinery.

I finished the console with six hand-rubbed coats of oil and a hand-buffed satin wax topcoat. The light in this picture reflects the warm glow of the finish.

Anatomy of a Board continued..

2008-04-16T21:24:00.000-07:00

This piece is a Getabako, or shoebox, for a client's entry. I made it with the board I described in my previous post. To give a floating appearance, I designed the piece to hang on the wall. I finished the Getabako by hand rubbing a tung oil and wax finish.

The lighter wood in the shelves is Western cedar. I used this aromatic wood to make inserts so the moisture from our damp Seattle footwear won't damage the wood.

Above is a custom pull I made from a small piece of the same board and inlaid into a mortised drawer front. I love small details like this on furniture. They truly show the maker's hand.

The drawers are made from a piece of figured western big leaf maple felled in Lynnwood, WA and locally milled and air dried by AJ's Custom Sawing. This figure is called fiddleback, or sometimes curly or tiger. Like the name implies, it came from the beautiful figured woods used on musical instruments.

Little Boxes

2007-10-22T04:48:00.000-07:00

This Shaker style box made from quarter sawn cherry is one of the most rewarding pieces I have made. It was made to hold the personal belongings of a local pilot whose plane crashed near Everett, WA. I modeled the piece after a blanket chest design.

His son brought me the remnants of a small cherry sapling that was burned at the crash site. You can see the branch here cleaned and debarked.

I sliced it across the grain, bedded it into black gelcoat, and sanded it flat. I then set that panel into a cherry frame and used it for the bottom of the box.

The inset lock allows for an authentic shaker look with the ease of a modern function. Like the box, the key is a bit more elaborate than most original shaker designs, but I like the updated touches.

The hinges are called quadrant hinges and work as both the hinge and lid support. These are manufactured in New York by Brusso, a company founded by a cabinetmaker frustrated by the low quality of furniture hardware.

The Anatomy of a Board

2007-10-12T08:52:00.000-07:00

Large pieces of wood are wonderful for grain and color matching. For a small piece of furniture you can get most of the structure and then use the fall down for drawer fronts and panel rail and style stock. The down sides to large pieces of wood they tend to have a lot of strength and twist and bow as they are milled and, unless you have very large machines, they are harder to mill.

I have overcome this issue by splitting the large boardsinto smaller pieces and gluing them back together in the sequence they where split. This stabilizes the wood and allows me to mill them efficiently on my machines.

The three large pieces are for the side of an entry table and the diagonal piece at the top is for the two drawer heads. The grain at that end of the board dived off dramatically and the diagonal cut was to get a straight grain piece. The smaller diagonals and long piece are for panel stock for the shelves and back.

Closet Doors

2007-10-08T14:43:00.000-07:00

This is a set of vertical grain Fir solid panel Shoji style doors that I made to replace a 60's style sliding doors in a small Seattle condominium.

I made flush inlaid Cherry pulls, and lined them up with the mid-rail for a clean, minimalist look.

The Fir has a honey tone that adds warmth to any space. The doors hide a washer and dryer and pantry that is next to the open kitchen.

Milled Parts

2007-10-07T17:00:00.000-07:00

When I break down larger pieces of wood, I mill them to about 1/8 to 1/4 thicker than I need to net, depending on their size. Then I give them a couple of days to relax.

I like to store my milled parts is with clean dry hardwood stickers like the lighter colored beech strips you see between the walnut. I then weight the stacks down with larger pieces of wood.

The stickers provide a spaces which allow for circulation and the weight helps to keep the pieces flat.

Oregon Black or Claro Walnut

2007-10-03T14:30:00.000-07:00

Considered one of the most beautiful woods in the world because of the depth of color and prominent figure, Western black walnut is a woodworker's dream. It is the black walnut common to the Pacific Northwest and Northern California and, unlike most farmed East coast black walnut, it is mostly reclaimed or salvaged which makes it more rare.

Unique Oregon black walnut trees in the temperate climate of the Willamette Valley can yield up to five feet in diameter of high grade, quality lumber. The iron rich Oregon soil and plentiful rain results in lumber of exceptional color, with frequent black and orange contrasts to the usual chocolate walnut tones.

This is a recently purchased figured slab of 5/4 (1 1/4) Figured Oregon Black Walnut for a coffee table.

Real Veneers

2007-10-02T16:48:00.000-07:00

One of the best uses of a piece of rare and beautiful wood is to cut it into veneers, for a high yield of precious materials. These thinly sliced cross-sections of a log give a woodworker the ability to have consistant color and graining in figured and flat grained woods.

Commercial veneers are as thin as paper. Without the proper substrate prep, color and texture can telegraph through to a finished surface. These Claro Walnut veneers I recently purchased from Goby Walnut and are a beefy 1/16"+ thick. They are much easier to work with than their commercial counterparts because they handle more like solid stock. They can be edge glued before you lay them up which helps layout and vacuum bagging.

But more importantly, these high quality thick veneers are more durable and easier to repair. If I have to use a commercial veneer I buy what's known as a Tech 3 or 3 ply veneer. Like a very thin plywood (approximately 1/16") the three layers are very strong and durable.

Mock ups

2007-09-28T23:53:00.001-07:00

While in school for woodworking at Seattle Central, I had the privilege of taking a fine furniture class from Ross Day. Day studied with James Krenov a celebrated woodworker, author and master craftsman. Day taught me the importance of drawing scale layouts so you can adequately measure the weight and presence of a piece and its components, as well as the scale and proportion for its prospective space.

Working out these details with a pencil saves frustration and needlessly wasted materials. It also allows for a client to truly see the piece in three dimensions which can save time and last minute changes.

A Trip to Oregon

2007-09-27T22:52:00.000-07:00

Recently Laura and I took a road trip to Oregon to get some lumber for a current furniture project. We visited a small urban mill called Urban Recycled Hardwoods in Beverton,OR just outside of Portland. Then we traveled south to Albany to see Goby Walnut, a small mill that specializes in Oregon Black Walnut.

Owner Art Blumenkron has an amazing inventory of walnut, with some slabs measuring over 48" wide. They have an impressive amount of veneers and carving stock. He was extremely patient while I made him unstack piles of veneers so I could get exactly what I was looking for.

The commission is for a coffee table an entry table and mirror, and secretary. I selected boards for color and graining specifically for each piece. I was able to get fletch cut (sequenced) boards which makes grain matching easier and makes a more cohesive piece.

I chose these pieces with curly figure for the top of the coffee table.

Shapes

2007-09-19T21:43:00.000-07:00

Fall down is the term given to the waste created by milling and joinery. I am always intrigued by these little geometric shapes and hate to throw them out or give them to someone for firewood. Most wood scrap can be re-used,recycled or even composted.

Recently I took some European Beech fall down from a parsons table project and made some geometric collages.

I like the way the shadows change the weight and motion depending on how the light hits them or how you view them.

An Introduction

2007-09-18T14:40:00.000-07:00

I started Dogwood Seattle after getting my degree in Boat Building and working in the field for several years doing mostly high-end residential and one-off furnture work.

I was a chef in a former life and decided that I wanted to switch to a more permanent medium than food. I approach every project with care, planning, and my love of woodwork.

My hope is that each piece I make will serve useful and aesthetic purposes in a client's life and estate for years to come.